Crafting branded content with editorial integrity

As a contributing editor for Creative Review, I’ve created content strategies for global brands including Frontify, Figma, Meta and TikTok.

Together, we transformed CR’s approach to branded editorial, developing multi-part series that engage an audience of senior design professionals while achieving each partner brand’s strategic objectives.

Image credit: Creative Review / Shutterstock

The work balances three objectives: maintaining CR’s high editorial standards, engaging the design community with compelling and relevant insights, and achieving measurable results for brand partners.

By treating sponsored content as seriously as editorial features – with rigorous research, compelling angles, and authentic perspectives – the content earns reader attention rather than interrupting it.

Figma

Why businesses should be led by designers
At an executive level, design thinking can transform an organisation from the inside – and this kind of cultural shift may prove vital for many brands’ survival

Why non-designers must understand design better
Appreciation of the design process should permeate an entire organisation, not just its in-house creative team

Frontify

The trick to pushing creative limits without losing control
How to balance rule-breaking creativity with the need for measurable performance and brand governance

Why a brand-building platform helps creativity thrive
Some extra groundwork to create a ‘single source of truth’ when building a brand empowers everyone down the line

Team ITG

How virtual production is changing the way ads are made
Virtual production unlocks limitless creative possibilities, while making the process more efficient and sustainable

Pushing the limits of creativity with virtual production
VP’s rapid evolution helps brands break new ground without breaking the budget

Video credit: Creative Review / Team ITG

TikTok

How brands can be authentic on TikTok
Insider advice from Burberry, Rimmel and Duolingo to thrive in TikTok’s world of democratised creativity

Why brands should be part of the community on TikTok
Move aside, always-on marketing: brands need to be ‘always in’ to win the trust and attention of TikTok’s diverse communities

Meta

How the metaverse could transform brand engagement
Early adopters in fashion and entertainment are blazing a trail, but how could brands in other sectors embrace the potential of the metaverse?

Unlock more immersive brand experiences in the metaverse
Brands must dream big to push experience design limits in the metaverse

“Nick has all the attributes of a great content strategist – a strong sense of editorial values, audience interests and commercial awareness. He has become integral to our team.”

Michael Barnett – Commercial content editor, Creative Review and Marketing Week

Celebrating 50 years of the Virgin brand

I am the author of Virgin By Design, a premium ‘coffee-table’ book celebrating 50 years of the Virgin brand.

Collaborating closely with the Virgin Group brand team and the book’s publisher Thames & Hudson, I helped develop a content strategy to appeal to brand designers, creative marketeers and ambitious entrepreneurs.

Rather than a chronological retrospective, we agreed it would be more compelling to tell the story thematically, exploring the unique characteristics that make the Virgin brand special.

Buy a copy of Virgin By Design on Amazon

The process involved over 120 interviews with CEOs, CMOs and other influential individuals responsible for shaping the past, present and future of the Virgin brand – from the early days of Virgin Records and Virgin Atlantic in the ’70s and ’80s, through to present-day innovations from the likes of Virgin Galactic and Virgin Voyages.

Drawing on hundreds of thousands of words of transcript, I crafted the many diverse stories into 10 distinct chapters. These explored areas such as Virgin’s ‘cheeky start-up’ mentality, the importance of taking risks and innovating, the ‘feel-good experiences’ and ‘magic moments’ at the heart of the brand, and how Virgin can stay relevant for the next 50 years.

With multiple senior stakeholders involved – including Virgin Group’s chief brand officer and global CEO, as well as Richard Branson himself – my copywriting brief was to capture Virgin’s brand values, while remaining engaging and entertaining for an external audience.

Nick helped us shape a cohesive narrative from multiple voices. He was quick to understand Virgin’s brand principles and history, and convey it seamlessly throughout the book. Nick’s skill in finding compelling stories translates to a joyful yet comprehensive read. He was a joy to work with.

Charlotte Bufton – brand manager and project lead, Virgin
Virgin By Design’s 10 thematic chapters. Image credit: Virgin

Fascinating archive photography, striking campaign visuals and playful commissioned illustration bring the featured stories to life.

The design, by Pete Rossi at RM&CO, encourages different levels of engagement. Readers can flick through for visual inspiration, or deep-dive into each chapter’s theme.

Content formats vary from bite-size captions to long thematic reads, bound-in as inserts amongst full-bleed images to maximise visual impact. Gatefolds expand the canvas at key points to do milestone campaigns justice.

“Nick’s deep understanding of how branding and design work within a business, and his industry knowledge and contacts, make him an invaluable member of a creative team.”

Andrew Sanigar – commissioning editor, Thames & Hudson

Virgin By Design was published by Thames & Hudson in March 2020.

Awards for Virgin By Design
Silver Award – Graphis Design Annual 2021
Highly Commended – Drum Design Awards 2020
People’s Choice – Creativepool Annual 2020

Asking provocative questions of top brands

Cover of Wild Thinking. Image credit: The Clearing

I helped The Clearing produce a series of videos to promote the studio’s new book, Wild Thinking.

Wild Thinking features 25 unconventional solutions to business challenges, from pioneering thinkers at global brands. I developed a content strategy to draw out particularly engaging themes from the book, and conducted piece-to-camera interviews with key contributors.

Read more about Wild Thinking on Kogan Page’s website…

Working closely with publisher Kogan Page, I then scripted a series of short-form videos. This included exclusive cuts for LinkedIn and Twitter, posing bonus questions from The Clearing’s ‘Wild Cards’ – the pack of 100 provocative questions that inspired the book.

Selection of cards from the Wild Cards pack. Image credit: The Clearing

Read more about Wild Cards on The Clearing’s website…

Here are three of the videos:

How mediocrity can be a great motivator

CMO John Allert discusses McLaren’s unapologetically uncompromising culture, and why a fear of mediocrity keeps the team sharp.

Why leading from the top is outdated

Former Dropbox PR chief Nick Morris shares his tried-and-trusted collaborative approach for engaging and inspiring a team.

What ‘brand purpose’ looks like in practice

CCO Juliet Slot explains how Ascot Race Course translates abstract brand values into meaningful everyday actions for its employees.

Nick has a unique offer – he’s a writer, a thinker, an interviewer and a burst of energy. He immediately became part of our team when we launched our Wild Thinking book, driving content and building relationships for our short films. It was fun, and it delivered great results.

Jules Griffith, marketing director, The Clearing

Repositioning Computer Arts to appeal to pro designers

I led a major redesign of Computer Arts in 2013, two years after launching its premium sister title.

From its ’90s origins as a tutorial magazine for hobbyists, my content strategy completed the brand’s transition into a reputable industry title pitched squarely at professional designers and agencies.

Five special issues of Computer Arts from 2014. Image credit: Future

Step-by-step tutorials were replaced with peer-to-peer project ‘diaries’ going behind-the-scenes on live client briefs, to reveal how top agencies solve familiar creative challenges.

With a bold new tagline – Design Matters – the repositioned CA delivered thought-provoking opinions, in-depth industry insights and fresh creative inspiration every month. This included a long-running series of exclusive video documentaries, filmed behind-the-scenes at the UK’s top agencies.

Read more: Why your design agency should invest in video

At the height of the digital publishing boom, the redesign featured a fully-bespoke, interactive iPad edition that went on to win Best Art & Design Magazine three years running at the Digital Magazine Awards.

And to elevate the premium feel of the print edition, innovative covers produced in collaboration with leading print finishing specialist Celloglas brought creative concepts to life in playful and compelling ways, celebrating the unique tactile potential of print.

Four special issues of Computer Arts from 2015. Image credit: Future

These included glow-in-the-dark, heat- and light-reactive inks, scratch-off latex, diffuser foils, textured embossing, playful die-cuts and more.

Watch now: Making-of videos of CA’s special covers

The strategic repositioning of Computer Arts proved crucial for the launch of the Brand Impact Awards in 2014, which has gone on to become an unmissable fixture in the professional awards calendar.

I edited CA until 2018. During this period I also launched the UK Studio Rankings – an annual peer reputation survey of the country’s top design agencies – which I continue to manage as an independent consultant.

“Nick’s enthusiasm for the re-imagining of Computer Arts was infectious. His unwavering desire to put the needs of the audience at the heart of every decision was truly heartening, and a key reason the project was a huge success.”

Declan Gough – then head of Creative & Design Group, Future

Launching a collectable, high-end design title

As launch editor for Computer Arts Collection, I developed a content strategy to appeal to senior design professionals, shifting industry perceptions and moving the CA brand into the competitive set of Creative Review.

The first four issues in Computer Arts Collection volume one (2012). Image credit: Future

This paved the way for the major redesign of Computer Arts in 2013, and ultimately the successful launch of the Brand Impact Awards in 2014.

Packed with insight and inspiration from the global design industry, CA Collection was pitched as the definitive guide to six core topics: graphic design, typography, illustration, branding, photography and advertising.

Each issue included an in-depth report on the latest macro and micro trends affecting each creative discipline, produced exclusively for CA Collection by top creative consultancy FranklinTill.

The first three issues in Computer Arts Collection volume two (2013). Image credit: Future

The lynchpin of the strategy was to treat ‘practical’ content in a totally new way, giving creative professionals unprecedented access to how peers at different agencies solve familiar creative challenges.

In place of step-by-step ‘tutorials’ was an innovative special project section, guest-edited by a different agency every issue. Over 48 pages, the guest-editing agency detailed their creative process from initial idea, through development and into production – including exclusive behind-the-scenes video diaries documenting their progress.

Read more: Why your design agency should invest in video

To celebrate the tactile beauty of print, the series showcased a wide range of innovative production techniques – including internal fluoro spot-colours, gatefolds, detachable bound-in prints and fold-out posters.

Promo pack for CA Collection’s launch issue, sent to a hand-picked selection of agencies. Image credit: Future

Launched in 2011, CA Collection comprised two collectable six-part volumes, after which many of the principles behind its content strategy were ultimately incorporated into the 2013 redesign of the parent brand.